Archive for the ‘Sci-Fi’ Category

Independence Day (1996)

Posted: February 19, 2012 in 1996, Action, American, Disaster, Sci-Fi

Roland Emmerich’s big budget sci-fi disaster action movie about an alien invasion of earth was the highest grossing film of 1996 and won an academy award for its special effects.  Despite this the film was met with a mixed reception upon its release and probably owes more to its advertising for its success than anything else.

Unlike most invasion films the alien’s of Independence Day don’t sneak on to Earth and hide before attempting to destroy humanity but instead choose to rock up in some pretty impressive, for want of a better word, flying saucers.  This was a conscious decision by Emmerich who came up with the idea for Independence Day whilst promoting Stargate and asked an interviewer what it would be like to wake up and find 15-mile-wide spaceships hovering over the world’s largest cities.

ID4 is very light on plot but makes up for this with impressive visual effects – in particular the scene when the White House is destroyed, a great supporting cast, and a few quotable, if not clever, one-liners.  Unfortunately by using an ensemble cast and blending so many personal stories together it suffers from not having a clearly defined star, Will Smith (playing cocky USAF Captain Steven Hiller) gets the most screen time but only slightly more than Bill Pullman (playing President Thomas J. Whitmore).  Named for the American holiday with which the invasion coincides the film displays over the top nationalistic overtones, the American soldiers being particularly gung-ho in their attitudes – launching a nuclear attack with little thought about the future consequences.  In addition to this the scene when President Whitmore addresses the pilots before the final battle and declares that the entire world will call July 4th its Independence Day positively reeks of camembert whilst the scenes of the worlds various armies when they get the news that the American’s are organising an attack seem particularly patronising… as if the world couldn’t win a battle if it weren’t for the American’s.

Despite the lack of depth to the plot, the absence of a central character, and the mass of self-propaganda for the American nation the film manages to be enjoyable throughout and remains one of those films that you can watch again and again and still enjoy.

Emmerich has said in the past he’s been interested in writing a sequel to Independence Day and in October 2011 he and co-writer Devlin confirmed that they had an idea for 2 sequels to film back to back and have expressed a desire for Will Smith to reprise his role in both.  Smith responded by saying he was interested but wanted $50 million for both films, personally I’m kind of hoping this means that a sequel won’t go ahead.


Metropolis (1927)

Posted: January 26, 2012 in 1927, Arthouse, German, Sci-Fi, Silent

I’ve had Fritz Lang’s 1927 silent movie epic on DVD for some time but have never seemed to find the time to watch it (there are some benefits to being off work sick).

Set in a futuristic dystopia the film explores the relationship between the oppressed Workers, who live in a vast underground complex and run the machines that power Metropolis, and the pampered Managers, who live in luxury in skyscrapers on the surface.  One day, whilst relaxing in the Eternal Garden, Freder Fredersen – son of Joh Fredersen the creator of Metropolis – encounters a beautiful young woman from the worker city, enchanted by her he follows her into the depths where he witnesses a terrible industrial accident.  He returns to his father telling him of the plight of the workers, not knowing that his father already knows, before returning to the worker city where he persuades a worker called #11811, Georgy, to trade places.  After a hellish 10 hour shift Freder follows the workers to an underground cavern where he finds the young woman he met earlier, Maria, preaching a message of peace and patience in waiting for the Mediator to arrive to unite the Head (the Managers) and the Hands (the Workers).  Freder realises that he is the Mediator and reveals himself to Maria at the end of the sermon when the other Workers have left.

Whilst this is happening Joh visits Rotwang, the mad scientist, about some maps that have been handed to him by Grot, a foreman for the Workers.  The two were friends but were rivals for the love of a woman, Hel, who eventually married Joh and died giving birth to their son Freder.  Rotwang reveals his creation, The Machine Man which he plans to give the likeness of Hel, to Joh and explains that the maps are of the catacombs below the Worker city.  Leading Joh through subterranean tunnels they secretly observe Maria’s sermon, not realising that Freder is in the crowd, and Joh commands Rotwang to use The Machine Man to clone Maria and incite the Workers to riot so that he can use force to bring them back in line.  Rotwang kidnaps Maria and holds her hostage whilst her clone goes about her work.

Considered by many to be one of the greatest sci-fi movies ever made Metropolis features brilliant cinematography, set design, and special effects that are stunning considering the technology of the time. The architecture portrayed in the film is based on Modernism and Art Deco, a new style in Europe which had not achieved mass production and as such was considered a symbol of the upper classes.  The effects expert, Eugen Schüfftan, created effects that were widely acclaimed for many years most notably The Schüfftan Process, which utilised mirrors to ‘place’ actors into miniature sets, and has been used by many other film makers over the years including Alfred Hitchcock in Blackmail (1929) and The 39 Steps (1935)  and as recently as 2003 when Peter Jackson used the technique when filming The Lord of the Rings: The Return of the King.

Metropolis has influenced modern cinema through both it’s imagery and storyline and without it we wouldn’t have films like Blade Runner and The Fifth Element, both of which borrow their visions of a future earth from Lang’s.  In addition the film’s imagery has been paid homage in various music videos such as Queen’s Radio Ga Ga (the majority of which uses clips from the film) and Madonna’s Express Yourself (which ends with the closing quote from Metropolis – “Without the Heart, there can be no understanding between the Hand and the Mind”) and was even, loosely, adapted to an anime by Osamu Tezuka in 2001.

With 1001 movies to choose from it’s quite a tough decision to choose exactly where to kick off… do I choose a recent film and go from there?  Maybe one of my favourite films?  Start with the most recent film and work backwards or vice versa?  Given that this is my first post I decided to go with the first full entry in the book (there’s an alphabetical checklist in the front but that’s just boring) and seeing as the book itself is in chronological order this is the oldest film in the book.

As a film over 100 years old I thought this would be a difficult film to track down but, to my surprise, a quick Google search resulted in a handful of posts with the movie posted in full on YouTube.  When it was originally filmed in 1902 the film ran for 14 minutes which was an epic by the standards of the era with most silent movies only being 2 minutes in length. The YouTube video runs for approximately 10 minutes as it is shown at 24fps instead of the 16fps that the film was originally shot in.

Based loosely on the books From the Earth to the Moon by Jules Verne and The First Men in the Moon by H.G. Wells the film tells the story of a group of scientists who decide to travel to the moon using a giant cannon to propel their craft across space.  Once there the scientists begin to explore and are confronted by a hostile alien race called The Selenites who capture them and take them to their king.  The scientists discover that The Selenites explode in a cloud of smoke when hit with an umbrella and make their escape back to their craft and eventually back to earth to a heroes welcome.

A Trip to the Moon is a landmark film as it is the first Sci-Fi film ever recorded and marked the invention of many film techniques that would become widely used later on including superimposition’s and dissolves.  The film was written and directed by Georges Méliès for a budget of 10,000 Francs which was a massive risk on his part but was ultimately worthwhile due to it’s popularity.  Unfortunately the film was so popular it was illegally copied and distributed under other names (most notably by Thomas Edison and his associates) which ultimately led to Méliès going bankrupt.

The legacy of Méliès greatest film can still be seen today with the video for The Smashing Pumpkins single Tonight, Tonight paying homage to the film (the central characters escape the Selenites on the space craft from the film and are picked up by a steam transporter called the SS Méliès at the end)  and even The Mighty Boosh drawing on it for their image of the Moon in the cult TV show.